I’ve been to most of the vinyl record stores in the San Francisco Bay Area. Today, I went to Groove Yard and if it wasn’t an hour from my home, I’d go all the time. If you’re looking for the best selection of used vinyl jazz in excellent condition (and very fair prices), it’s Groove Yard. Continue reading
There are cats who can sing and play the Bayou and the blues…and then there is Chicago born & Iowa raised Catfish Keith.
Upon meeting him before a recent show (January 28, 2017) in Lafayette, California, he comes across like a regular guy. Nice, easy going. It’s when he hits the stage that the power of his voice and awe inspiring guitar work power through…like a musical tornado that knocks you on yer ass. And you’re glad to have ignored the storm warning. Continue reading
No, I’d never heard of Sam, either. He’s one of those gems, hiding on an island in the Pacific Ocean. Maui (Hawaii), to be specific. You might think of the local musicians as tourist attractions, but there are plenty of great performers there and Sam is one of them. Continue reading
I’m lucky to live in Silicon Valley, there are several venues that play live jazz pretty often. One of the newest is Cafe Pinkhouse in Saratoga, Calif. The place holds maybe 50-60 people, all facing an oddly shaped stage that sort of measures 25 feet by 10 feet. In fact, the whole room is oddly shaped to begin with. There’s a piano squeezed into the front corner. Continue reading
You don’t know W. Eugene Smith…but he is generally considered to be the greatest American photojournalist. From 1957-1965, he opened his New York city loft to the jazz musicians of the era and shot stills pictures, 40,000 of them!
Plus, he recorded 4000 hours of audio (not all of it is music). It was just released as a documentary movie called The Jazz Loft According To W. Eugene Smith.
Back when I was in photojournalism school in the late 1980s, my instructor at San Jose State University, Jim McNay, had me read a book about Smith. McNay’s contention was that many of our greatest artists are essentially crazy. Smith could certainly be seen in that light. Continue reading
My favorite jazz guitar record might be this relatively obscure LP, Guitar/Guitar (Columbia CS 9130, stereo) by Charlie Byrd and Herb Ellis. It isn’t flashy or fast. No fretboard fireworks. Just two pros, playing together and making great music. I can listen to this quite a bit and not tire of it.
Byrd is not my favorite guitarist. He and Ellis also played together with Barney Kessel on a few LPs on the Concord label in the 1970s. Continue reading
“I only play jazz once a year, and tonight is it!” he said to me. “Tonight” was a concert to raise funds for the Topaz Museum in Delta, Utah. Topaz is the site where Inouye’s father, Takara, was incarcerated during World War II. Long story short is that his efforts to learn more about his father’s journey led him to play before a packed house at the Conservatory of Music in San Francisco on July 10.
The Conservatory of Music…hmm. Doesn’t sound like a jazz club, and that’s because it’s not. It’s where you would hear symphonic music. “Classical music” you might say. But not jazz. Inouye is one of the few musicians who can do both, and both are spectacular. He occupies the first trumpet chair for the San Francisco Symphony and he has been cited as among the world’s best at his craft. Continue reading