It’s the Great 78 Project. And it’s just what it sounds like. The Internet Archive (in San Francisco, California) is a partner in the quest to transfer 78rpm records for anyone to download for free. OK, my site is about vinyl, but at least these digital files start out that way. Continue reading
It’s hard to not like just about everything I’ve heard by jazz guitarist Wes Montgomery and One Night In Indy (Resonance Records HLP 9018, mono LP) is no exception. This is a 2015 release of a never before heard tape made in 1959 by photojournalist Duncan Schiedt.
I had one reservation about buying this LP new (on sale direct from Resonance)…I didn’t know what it sounded like. Was the original recording done with one crummy mic, too far away from the band? Continue reading
No, I’d never heard of Sam, either. He’s one of those gems, hiding on an island in the Pacific Ocean. Maui (Hawaii), to be specific. You might think of the local musicians as tourist attractions, but there are plenty of great performers there and Sam is one of them. Continue reading
I’m lucky to live in Silicon Valley, there are several venues that play live jazz pretty often. One of the newest is Cafe Pinkhouse in Saratoga, Calif. The place holds maybe 50-60 people, all facing an oddly shaped stage that sort of measures 25 feet by 10 feet. In fact, the whole room is oddly shaped to begin with. There’s a piano squeezed into the front corner. Continue reading
You don’t know W. Eugene Smith…but he is generally considered to be the greatest American photojournalist. From 1957-1965, he opened his New York city loft to the jazz musicians of the era and shot stills pictures, 40,000 of them!
Plus, he recorded 4000 hours of audio (not all of it is music). It was just released as a documentary movie called The Jazz Loft According To W. Eugene Smith.
Back when I was in photojournalism school in the late 1980s, my instructor at San Jose State University, Jim McNay, had me read a book about Smith. McNay’s contention was that many of our greatest artists are essentially crazy. Smith could certainly be seen in that light. Continue reading
My favorite jazz guitar record might be this relatively obscure LP, Guitar/Guitar (Columbia CS 9130, stereo) by Charlie Byrd and Herb Ellis. It isn’t flashy or fast. No fretboard fireworks. Just two pros, playing together and making great music. I can listen to this quite a bit and not tire of it.
Byrd is not my favorite guitarist. He and Ellis also played together with Barney Kessel on a few LPs on the Concord label in the 1970s. Continue reading
“I only play jazz once a year, and tonight is it!” he said to me. “Tonight” was a concert to raise funds for the Topaz Museum in Delta, Utah. Topaz is the site where Inouye’s father, Takara, was incarcerated during World War II. Long story short is that his efforts to learn more about his father’s journey led him to play before a packed house at the Conservatory of Music in San Francisco on July 10.
The Conservatory of Music…hmm. Doesn’t sound like a jazz club, and that’s because it’s not. It’s where you would hear symphonic music. “Classical music” you might say. But not jazz. Inouye is one of the few musicians who can do both, and both are spectacular. He occupies the first trumpet chair for the San Francisco Symphony and he has been cited as among the world’s best at his craft. Continue reading